![]() ![]() And that means you can write a lot of your paper in active voice. That’s usually a good indication that doing so is acceptable. ![]() If you want to be sure that using “I” or “we” is OK, one way is to check the most recent published papers from the journal to see if those authors used the first person. Current trendsĪlthough the rare journal guideline still precludes authors from using first person when writing, most guidelines either specify a preference for active voice or make no mention of it at all. Usually, active construction (or voice) does result in a shorter, more concise sentence. Here is an example from the same paper, in this case a use of the passive voice to avoid using “We” in the sentence:Įxample: “If it is assumed that the bases only occur in the structure in the most plausible tautomeric … it is found that only specific pairs of bases can bond together.”īelow is an example of an active voice version of this sentence:Įxample: “If we assume that the bases only occur in the structure in the most plausible tautomeric … we find that only specific pairs of bases can bond together.”Īs you can see, using active voice shortened the sentence slightly. Here, the subject is “Pauling and Corey” and they are the actors, the doers, in the sentence. Pauling and Corey are the actors, the ones who proposed the structure.īelow is this sentence rewritten so that it is in active voice:Įxample: “Pauling and Corey have already proposed a structure for nucleic acid.” ![]() Here is an example of this kind of writing from a historic paper, Watson and Crick’s 1953 report in Naturedescribing their discovery of the structure of DNA:Įxample: “A structure for nucleic acid has already been proposed by Pauling and Corey.”Īs you can see, the subject of the sentence is “structure,” yet “structure” is not the doer of the action (“proposed”). Writers were to avoid drawing attention to themselves so that the science being described would be foremost. One rationale for prohibiting this use of the first person as the subject of a sentence was that it would distract readers from the science. The reason so much scientific writing until recently has used the passive voice is largely that researchers were told ( passive voice) not to use “I” or “we” in writing. In scientific writing, passive voice has been the norm for some time, but things are changing. This sentence also is now in active voice, with the subject (friend) performing the action (gave). The above sentence is now in active voice, with the subject (the valet) performing the action (parked). We can make the voice of these sentences active, with the subject as the doer.Įxample: The valet parked the car in the wrong space. In each sentence, the subject is not the “doer” of the action, but on the receiving end of it. In this sentence, the subject is “she,” but someone else (“a friend) is doing the action of giving a book. Instead, the valet is performing the action.Įxample: She was given the book by a friend. In this sentence, “car” is the subject, but the voice of the sentence is passive because the car is not doing the parking. Instead, the action is being done to it.Įxample: The car has been parked by the valet in the wrong parking space. When the “voice” of a sentence is passive, then the subject of the sentence is not doing the action. As you review guidelines from journals you’re considering for manuscript submission, you may come across instructions to avoid using “passive voice” or “passive construction.” What does that mean, and why do journals want you to avoid it? What is it? ![]()
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![]() ![]() His most wildly compassionate lyric, the nakedest act of emotional outreach in his entire songbook, and it’s not even him singing it-it’s Ziggy Stardust, his interstellar blow job of a fabricated rock star, for whom the longed-for moment of connection will be, unfortunately, terminal. ![]() Gimme your hands / ’Cause you’re wonderful! Gimme your hands! screams Ziggy at the edge of the stage, projecting himself into a black hole of adoration. It’s the last number on his 1972 rock opera, The Rise and Fall of Ziggy Stardust and the Spiders From Mars, and the song at the conclusion of which-according to Bowie’s messianic conception of the character of Ziggy Stardust, a guitar-wielding idol descended from the firmament-the singer is torn to pieces by his fans, or aliens, or both. “Rock’n’Roll Suicide” is his theatrical muse at maximum inflation-a showstopper, literally. Or maybe four or five of the most potent lyricists, because in his decentered, repeatedly selving way he commanded a variety of modes and manners. Oh no, love, you’re not alone … All the knives seem to lacerate your brain / I’ve had my share, I’ll help you with the pain / You’re not alone!ĭavid Bowie, we now realize, with his words chiming posthumously in our heads, was one of the most potent lyricists in rock history. I n the dark days of January, as the news of David Bowie’s death gusted bleakly across the info-seas and all the boats trembled, a number of people I know found themselves murmuring, or singing in their brains, the lyrics to “Rock’n’Roll Suicide.” Time takes a cigarette, puts it in your mouth … Why this song, at that moment? Because it’s a song about not being isolated by suffering, a soul-spanning song that begins minutely, with a single person in fidgety, mentally distressed close-up- You pull on your finger / Then another finger / Then cigarette-and amplifies unstoppably toward a salvific, histrionic, orchestra-of-the-nervous-system climax. ![]() ![]() In the case of climate change, for example, the future consequences of global temperature increase are well-known, but do not invoke action accordingly. How to engage with the future? The field of future studies has an impressive record of accomplishment in the production of futures, but less so in the way these futures are taken up. The difficulty of future studies to engage, hinders responsible responses. They are informative but not transformative. We conclude that while futures studies have been successful in showing routes to the future, they also have difficulties to relate to futures in a more open, imaginative and responsible way. Second, we evaluate how the produced futures engage their audience, distinguishing between narratives, symbols, graphs and images. First, we look at methods to produce futures: extrapolations, Delphi Surveys, surveys, simulations and scenarios. This mutual coming into existence is not a planned creation, but insinuates an open future as well as an open past.Īs a next step, we review the production of futures in future studies, using Dewey’s understandings on how imagination and the future connect in the aesthetic experience. The aesthetic experience is transformative. ![]() He presents the experience of art as a reciprocal process that is imaginative: in our engagement with art, we experience the artwork, while the experience also produces us. In his Art as Experience, Dewey claimed that art can be seen as a “mode of prediction not found in charts and statistics”. We present a reading of the work of John Dewey (1859–1952). To address the issue, we resort to a pragmatist understanding of art. This raises fundamental questions about how art and imagination can be engaging and what this implies for future studies. While some see the use of art as an effective means to engage with the future, others criticise such usage as reducing art to an instrumental value, at the expense of aesthetic values. ![]() This question is pertinent, as doubts about the future are increasingly urgent, while the need to engage with the future is not sufficiently addressed by the quantitative growth of future studies. In this paper, we examine the question how future studies can productively engage with the future by considering how art is engaging. ![]() ![]() A new Dismemberment system has been integrated with some of the zombies.Animations have been improved from 1 st person to 3 rd person to provide a more immersive experience.Video Options for Anti-Aliasing – Temporal (TAA) and AA Sharpening have been added along with an auto detection system that will set your game settings to better match your hardwares capabilities.Improved weather system with more distinct and varying weather.Improved dynamic music and ambient audio system with added new content.Loot Progression Improvements include a new Loot Stage System, Biome and Tiered POI loot bonuses and early game balance.Vehicle Improvements with coop passenger support and mods to improve and customize your Vehicles. ![]() Feral Sense Game options for a completely new game experience.AI Enemy Improvements including city spawning, ducking, obstacle attacks, head tracking and burst attacks.Quest Improvements including new restore power night Quests.Rendering improvements with 100s of new PBR models.Dynamic Imposter System renders accurate changes to POI’s and player bases at far distances.We have added a Robotic Drone Companion to carry your extra gear, heal you and more.Overhauled shape menu with hundreds of new shapes organized and buildable from a simple frame with in-game, creative and level design support. ![]()
![]() I'm reminded of the quote from Jackie Brown: ![]() ![]() I'll add that we also support Parsec, so I have no allegiances one way or another. I've also deployed dozens of these systems. Source: we've (BeBop) deployed thousands of these systems. I have no idea where you have the idea it takes more than that. The client - your local system - can either be HW or SW as well. Teradici runs on the "host" - either in SW or HW. Looking for something more local? Here are some localized subreddits: To chat with specialists in recording sound on set, check out Want to learn more? Try these subreddits: You don't want people to rip off your work, we shouldn't be ripping off theirs. Sunday Sunday Job/Career Advice ( for the past month) Are you new to editing?ĭiscussion or advocacy of piracy is prohibited. Thursday Tip Thursday ( for the past month) Wednesday Assistant Editor Wednesdays ( for the past month) Monday: Megathread Mondays [ for the past month) To get your page listed on the Wiki index page just drop a note in the Mod Mail and we'll get to you as quickly as possible. Please feel free to add and edit pages, and list requests in this thread. We prefer public domain or Creative Commons. Want to give away your music or footage: State the copyright.Having a problem: Be specific about your setup, software and footage.If you want to post a job, we expect you to quote some sort of pay - hourly, daily, weekly etc.No posting of your services, or that you're looking for work. ![]() This is a subreddit for people who make their living in the field (or are trying to.) If you want to know what software to use.go to /r/VideoEditing.Then be specific about the type of feedback you want. Feedback: do it somewhere other than facebook or YouTube.Imagine someone else is having a bad day. Generally we're not a place for you to advertise your work, and we expect everyone to be civil and generally not act like a jerk. But that’s where the information is and that’s where I’d have you start.For people that get paid to edit film, video, television, etc. From there, you could probably make some decisions about turning off software or allowing downloads to run. Run the diagnostic tools outlined in that article and see exactly what that desktop machine is trying to do. I would start with my article, “ How do I monitor network activity on my Windows 7 machine?” This examines what the desktop machine might be doing when it’s running. ![]() Some routers are simply better at it than others. The concept of equal time doesn’t really apply. Normally, your router does a better job of getting everything more or less equal time, but that’s actually an impossible task depending on exactly what’s happening. Malicious software on that desktop could be trying to upload and download constantly to the exclusion of everything else. For example, if the desktop is downloading updates, then the speed should return to normal after the download is complete. In doing so, it’s taking up all of the available internet speed that your ISP is giving you. The desktop computer may be trying to upload or download something (probably a very large file or maybe several things). There are several reasons why this could be happening. This sounds like your desktop computer is simply hogging all of your internet bandwidth. ![]() ![]() Though the cuisine isn’t as famous as Italian food or Greek food, Portuguese food in Lisbon is accessible, affordable and downright delicious. Pictured here is a Garlic Shrimp starter from Monte Mar.Įating traditional Portuguese food is a must for all visitors to Lisbon. Stuffed Mushrooms with Iberico Ham and Quail Eggs – €9 Traditional Portuguese Food Stalls at Time Out Market Lisbon sell a range of Portuguese food favorites. Options include Pataniscas de Bacalhau (codfish fritters), Camarão Crocante (crispy wrapped shrimp) and Cogumelos Recheados (stuffed mushrooms). Vieira proves that not all top Portuguese chefs are men while offering a fun selection of pesticos (snacks). Though he’s not always at the market, his sage influence is omnipresent. We randomly met Chef Miguel Castro e Silva, a signature chef at Time Out Market Lisbon, during one of our visits. Their stalls line the market’s north end and we recommend that you sample a dish from one or more of these stalls. Though now closed, his stall was part of the Chef’s Kitchen when we visited the market in 2020.Īt Time Out Market Lisbon’s Chef’s Kitchen, some of the nation’s most prestigious chefs serve dishes at affordable prices. Chef-Driven Cuisine João Rodrigues’ ramped up Bacalhau à Brás is the best version we’ve eaten so far. Let’s face it, the more quickly you queue and pay, the more quickly you’ll be chowing down at a table. You’ll be able to head directly to your chosen stalls and order food. Use this guide as part of your meal planning process. We suggest that you start with our favorites and then find your own. Since Time Out is a curated market, you can’t make bad choices. ![]() This sharing strategy enabled us to sample more dishes during our 2020 blitz. We shared this Pork Belly with creamy pea mash and bok choi from Chef Alexandre Silva’s now closed stall. It’s also a market where kids of all ages can munch on Pasteis de Nata and lick creamy ice cream cones. This is a market where a group of four can eat Bacalhau à Brás, Neopolitan Pizza, Pad Thai and Sushi at the same table while chugging beer and sipping port wine. Though the vibe skews hipster, the range of food is varied enough to provide an introduction to the Lisbon restaurant scene to all visitors regardless of age or hipness. Lisbon’s Time Out Market reminds us of sprawling food halls we’ve visited in cities like Amsterdam and Budapest. The key is to arrive early and grab a spot right away. Eating at Lisbon Time Out Market Crowd vie for spots at the Time Out Market. Time Out Market Lisbon has been so successful that the magazine empire has opened similar markets in Boston, Chicago, Dubai, Miami, Montreal and New York. Stalls line the periphery of the market while kiosks and tables fill the center. Most of the action occurs on the ground floor inside the market’s grand hall. With a history dating back centuries, this traditional Lisbon food shed was a major shopping hub in the city after the devastating 1775 earthquake. Mercado da Ribeira, the building’s original tenant, occupies half of the building. It’s also accessible by tram, bus and Uber. ![]() This building is conveniently located across the street from both the ferry terminal and a metro station. Time Out Market Lisbon co-occupies a grand 19th-century market hall in Lisbon’s riverfront Cais do Sodré neighborhood. Where is Time Out Market Lisbon? Time Out Market Lisbon shares a historic building with the equally historic Mercado da Ribeira. In other words, we’ll keep eating at Lisbon’s Time Out Market – just not at peak hours – now that the crowds have returned. This Wednesday night crowd at Lisbon’s Time Out Market proves that social distancing is a thing of the past in 2022, at least for now. It has the greatest food hits in one of Portugal’s greatest food cities. The food is better than we expected and the location is supreme. The 2021 version of Time Out Market Lisbon included socially distanced dining.Īfter visiting Time Out Market numerous times, we’re now fans. Better yet, arrive when the market opens and grab a table right away. Visit at off-peak hours to avoid the largest crowds. Time Out Market Lisbon is packed from the minute it opens until the time it closes. We’ve returned again and again to make sure that our recommended stalls remain open. In other words, we made it a mission to eat our way around the popular Portugal market to find our favorite dishes. Seeing a window of opportunity to visit Timeout Lisbon without crowds, we jumped. The building that houses Time Out Market Lisbon and the Mercado da Ribeira is worth a visit for its architectural value as well as its food. ![]() ![]() ![]() This is Also complete offline installer and standalone setup for Moneydance 2017. Moneydance 20 Free DownloadĬlick on below button to start Download Moneydance 2017.4. A powerful searching tool is also at close hand. You need to specify the time period of the exported dataĪs well as the currency in which you wish to convert the values. 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Download Moneydance 2017 Latest Version for Windows. ![]() ![]() ![]() ![]() The best way to deal with such situations is to face up to the conversation and handle it with skill. Often, people shy away from such conversations or handle them poorly. Some examples of crucial conversations include breaking up or reconciling with a partner, giving your boss feedback or asking for a pay rise. The way you deal with these important discussions can have a positive or negative result and change the course of your life. They differ from ordinary dialogues because the opinions of the participants vary, their emotions are high and the stakes are significant. “Crucial conversations” are needed when the outcome is important, when people disagree and when emotions are heated.Ĭrucial conversations are those everyday interactions that significantly affect your life. What we say here about books applies to all formats we cover. We look at every kind of content that may matter to our audience: books, but also articles, reports, videos and podcasts. *getAbstract is summarizing much more than books. For instance, it may offer decent advice in some areas while being repetitive or unremarkable in others. A helpful and/or enlightening book, in spite of its obvious shortcomings. is particularly well structured.ĥ – Solid. A helpful and/or enlightening book that stands out by at least one aspect, e.g. contains uncommonly novel ideas and presents them in an engaging manner.Ħ – Notable. A helpful and/or enlightening book that combines two or more noteworthy strengths, e.g. presents the latest findings in a topical field and is written by a renowned expert but lacks a bit in style.ħ – Good. A helpful and/or enlightening book that has a substantial number of outstanding qualities without excelling across the board, e.g. A helpful and/or enlightening book that is extremely well rounded, has many strengths and no shortcomings worth mentioning.Ĩ – Very good. Often an instant classic and must-read for everyone.ĩ – Superb. A helpful and/or enlightening book that, in addition to meeting the highest standards in all pertinent aspects, stands out even among the best. Here's what the ratings mean:ġ0 – Brilliant. Books we rate below 5 won’t be summarized. Our rating helps you sort the titles on your reading list from solid (5) to brilliant (10). We rate each piece of content on a scale of 1–10 with regard to these two core criteria. Helpful – You’ll take-away practical advice that will help you get better at what you do. Whatever we select for our library has to excel in one or the other of these two core criteria:Įnlightening – You’ll learn things that will inform and improve your decisions. At getAbstract, we summarize books* that help people understand the world and make it better. ![]() ![]() Though the team behind the brand continues to push out the most fascinating flavor concoctions using a whirlwind of flavor combinations, it is ultimately the quality that holds this collection together like glue. The perfect balance creates a happy medium, allowing for a smoother throat hit, loads of flavor, and fluffy, dense vapor production. The Keep It 100 Collection and its flavors come packaged in 100mL Chubby Gorilla bottles and have a base of 70 percent Vegetable Glycerin (VG) and 30 percent Propylene Glycol (PG). Keep It 100 Ejuice continues to grow in popularity and will surely have something for you to kick those cravings all day long. 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Settling with a firm grip in Lakewood, New Jersey, Liquid Labs LLC., has quickly risen in a saturated market of vapor products. ![]() ![]() ![]() For example, if a hospital had no measures in the Timely & Effective Care category, the 12% weight would be redistributed evenly as 25% for each of the Mortality, Safety of Care, Readmission and Patient Experience groups. If a hospital has no measures in a certain measure group, the weighted percentage is redistributed proportionally to the other measure groups. Note that these percentage weights are out of 100%. Measure group Weight used in calculation Mortality 22% Safety 22% Readmission 22% Patient Experience 22% Timely & Effective Care 12% The hospital summary score is then used to assign hospitals to star ratings, using k-means clustering within each peer group. The table below shows the weight applied to each measure group. Application of clustering algorithm to categorize summary scores into star ratingsįor each hospital, a hospital summary score is calculated by taking the weighted average of the hospital’s scores for each measure group.Assignment of hospitals to peer groups based on their number of measure groups (3, 4, or 5).Application of minimum thresholds for receiving an Overall Star Rating.Calculation of hospital summary scores as a weighted average of available group scores.Calculation and standardization of measure group scores.Selection and standardization of measures for inclusion in the Overall Star Rating.Overall Star Ratings are created using this seven-step process: The methodology used to calculate Overall Star Ratings involves multiple steps to select, standardize, and calculate scores based on Care Compare measures. Most hospitals will have an Overall Hospital Quality Star Rating of 3. Overall Star Ratings aren’t calculated for Veterans Health Administration (VHA) or Department of Defense (DoD) hospitals. Hospitals report data to The Centers for Medicare & Medicaid Services ("CMS") through the Hospital Inpatient Quality Reporting (IQR) Program, Hospital Outpatient Quality Reporting (OQR) Program, Hospital Readmission Reduction Program (HRRP), Hospital-Acquired Condition (HAC) Reduction Program, and Hospital Value-Based Purchasing (VBP) Program. Once reporting thresholds are met, a hospital’s Overall Star Rating is calculated using only those measures for which data are available. ![]() The Overall Hospital Quality Star Rating for ASCENSION ST MICHAELS HOSPITAL summarizes a variety of measures across 5 areas of quality into a single star rating for each hospital. Overall Hospital Quality Star Rating for ASCENSION ST MICHAELS HOSPITAL Overall Rating: ![]() |
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